Forgotten Temples of Kashmir Part-15

Shehjar Newsmagazine
Forgotten Temples of Kashmir
Photo series Part-15
An effort to preserve and record Hindu cultural and religios heritage of Kashmir
Exclusive images and report from a remote village in Kashmir provided for Shehjarby
Chander M. Bhat
artand Mandir, also known as Martandeshwar Mandir, now in ruins, is located on the top of Mattan wudar in the East of Anantnag, just 2 km from Mattan, 4 km from Anantnag and 63 km from Srinagar. The temple dedicated to Surya (the Sun-god), is the only Sun temple in the north. Two other Sun temples are at Konarak in Orrisa and at Modhera in Gujarat. The temple is considered not only as an engineering marvel but also a magnificent architectural creation. The ruins of this grand ancient temple are seen in a locality ahead of the present Martand Tirtha, popularly known as Bhawan, which is in use since ancient times. The shrine of Martand was a famous Tirthasthan in ancient times, which finds a mention in Rajatarangini as well as in Tuzki Jahangiri. The importance of this shrine is described in Martandamahatmya. According to Aurel Stein, “The ancient remains at the sacred spring itself are very scanty. All the more imposing are the ruins of the great temple, which King Lalitaditya erected at a short distance in honour of the presiding deity of the tirtha. They are situated a little over a mile to the south-east of ‘Bhavan’, near the northern edge of the great Udar which stretches towards Anantnag”.

The historians have not been able to establish the exact date of the erection of the temple and there are variations, believed to be due to the presence of another temple at the site, were the ruins of Martand temple stand today. Kashmiri Pandits call it the house of Pandavas and Kauravas, thereby indicating that the temple has a pre-historic origin and pertains to the period of Pandavas and Kauravas. It is believed that Raja Ram Dev in 95 Kaliyug laid the foundation of the temple and Raja Lalitaditya completed temple construction, though Rajatarangini records only the colonnades of the temple as his work. Says Lawrence “The true dates of erection of this temple….the wonder of Kashmir…is a disputed point of chronology; but the period of its foundation can be determined within the limits of one century, or between AD 370 and 500”. The imposing nature of the temple can be judged from the accounts given by various travelers and historians and testified to some extent by the ruins and the remains of the temple. Talking to the grandeur of the, temple Lawrence further says, “the temple itself is not more than 40 feet in height, but its solid walls and bold outlines, towering over the fluted pillars of the surrounding colonnade, give it a most imposing appearance. Talking about the ruins, Aurel Stein writes, “Its ruins, though much injured by the ravages of time and earthquakes, form still the most impressive specimen of ancient Kashmiri architecture. Further, he says, “The destruction of the sacred image is ascribed to Sikandar Butshikan”. According to Soon Adab, it took Sikandar Butshikan quite sometime to demolish it. Martand consists of a courtyard with the principal shrine in the middle and a colonnaded peristyle. The grandeur of the temple can be judged from the facts, as under

The main temple is 63 feet in length, 36 feet in width. It is in the centre of the courtyard. The temple was raised on a plateau and was visible from all sides around Martand.

The courtyard is 220 feet long by 142 feet broad and contains eighty-four fluted columns facing the courtyard. The whole structure is built on grey stones carved beautifully in those days by the stone masons. Each stone is a big boulder and carved in such a way to give shape of squares and circles.

The peristyle
is externally plain, except on the West side, which originally had a row of columns similar to that of the Avantipur temples. It gives an indication that engineering art adopted at Avantipur temple is similar to the one available at Martand.

The temple is divided into Ardhamandapa (the outer portion) measuring 18 feet 10 inches square, Autarala (the middle portion) measuring 18 feet by 4 ½ feet and

Garbhagriha (the inner portion) measuring 18 feet and 5 inches by 13 feet 10 inches. It is believed that an idol of Sun-god was installed in Garbhagriha. It was a perfect engineering marvel giving an indication that three gates were to be crossed to reach the main temple. Thus the Hindu mythology of Aehlok, Parlok and Pataallok are to be seen over here.

The entrance, or gateway, stands in the middle of the Western side of the quadrangle and is the same width as the temple itself. The walls of the gateway are profusely decorated and indicate a welcome sign for the pilgrims who believe in the heavenly powers of Lord Martand.

The outer periphery of the temple is 270 feet by 180 feet and has three main gates. This indicates that builders of the temple wanted to show that Lord Martand has two eyes and the sixth sense to watch the world.1

Notes and References:
Encyclopedia: Kashmiri Pandit: Culture & Heritage by C.L.Kaul, published by Ansh Publications, 2009.

Perfect base square of a temple which is elusive now

Main entrance to the temple. A path which leads to darshan of Lord Martand

Base of a pillar inside the temple. Stone art work was never new to the valley

No traces of the structure is visible now

Believed to be a Hawan Kund

Stone carving and massionary is unmatched

aBeauties engraved outside with depth of faith inside

Images of today and imagine of the day of its youth

One of the pillars of main temple. Once this atlas shouldered big boulders

Hindu faith is similar in strength as to the strength of this image

A stone engraved with images of hindu dieties

Conical gate leading to the sanctum sanitorim of the temple

Boundary wall covering the main temple keeping the tresspassers at bay

Front view of the main temple. Blue skies with its white lips casing its eye on the temple

A water reservior for use in the temple complex

Art of engineering prevelant in the days of pandavas

Shiv Lingam inside the temple complex- Lord of THREE LOKAS

Base of the main temple. Sky watching the devastation of time

Base of a pillar. Basement of strength of the faith

Author in the temple complex, documenting the past glory

*Born on 20th March, 1960 in Murran a village in North Kashmir, Chander M. Bhat is presently working as an Assistant Supdt. Posts, in Department of Posts, Govt. of India. His articles regarding Posts and of non-political nature stand widely published in various papers and magazines of the country. A booklet 'How to Collect Stamps" published by the Department of Posts, has earned him genuine accolades. He worked on the project of tracing the roots of his co-villagers and of the village Murran, resulting into the culmination of a widely acclaimed book "Murran -My Village". Man with depth, Chander M. Bhat has also another book, "Ocean by Drops" (collection of poems) in his vase having colorful poems. His book "Ancient History of Jammu and Kashmir", confirms his researching capability. Various research papers like "The Splendor that is Amarnath" and "Vitasta" The Sacred River of Kashmir" are valuable additions to his works that has proved very fruitful and guiding force in the exile period of Kashmiri Pandits community of which the author is also a member.

Presently the author is working on "OOL - THE NEST" a six volume project on all the 595 (each volume of about 2500 pages)Kashmiri Pandit villages of Kashmir.

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